My Old Ass is a coming-of-age indie comedy with an intriguing twist. But does it deliver? Well, sort of.

Although quite unbelievable, it's hard not to be swept away by the wit and charm of Troop Zero.

I went into Frozen Empire cautiously optimistic, especially after hearing some mixed buzz, but it turned out way better than I expected.

Much of the The 40-Year-Old Virgin's success comes from Steve Carell's outstanding performance, supported by an equally stellar ensemble cast.

The Instigators doesn’t exactly break new ground, and its ending feels a bit rushed, but it compensates with impressive car chases and some intriguing political commentary on heroism and the armed forces.

Encino Man may not be a timeless classic, but it sure knows how to serve up a heap of goofy fun.

The Fall Guy is one of the most entertaining movies I’ve seen in a long time. It’s a joyful throwback to the '90s action films that shaped my love for cinema, wrapped up in a fun, meta commentary on the film industry itself.

While Hit Man shares some similarities with Bernie, it also diverges in ways that are both intriguing and challenging.

Babes dives into the complexities of maintaining close friendships when family priorities shift. It’s a funny, heartfelt exploration of how these changes impact relationships.

American Fiction is a brilliant satire that delves into the complex ways different races perceive one another, particularly focusing on how white audiences consume art to alleviate their guilt over the Black experience.

To my surprise, I found Unfrosted pretty funny and a lot of fun to watch.

My wife seemed offended when I mentioned that Billy Madison had to be one of the worst movies made. But I mean that in the most endearing way.

Bottoms purposely pokes fun at its genre while providing a looking glass into how today's culture perceives popularity and identity.

Whether your initial response to Poor Things is visceral or in disgust, it's a film that you won't soon forget.

You Hurt My Feelings spoke to my creative soul. Director/writer Nicole Holofcener brilliantly and comically explores the themes of love and support when it comes to balancing personal and professional aspirations.

The Holdovers is patient, but not slow. It's funny but doesn't go for the easy gag. It's heartbreaking, but not overly sentimental.

Self Reliance is flat-out entertaining. It has been a while since I have watched a film that creates an ideal balance of not having to think too much and keeping you guessing along the way.

How is it possible that a movie gets better and better each time I watch it when it is so purposely repeatable in its premise?

Though I was entertained by this version of Mean Girls, there was an overall flatness.

The action scenes in Get Smart are way better than they needed to be and the jokes are right down my lane.