Bottoms purposely pokes fun at its genre while providing a looking glass into how today's culture perceives popularity and identity.

Whether your initial response to Poor Things is visceral or in disgust, it's a film that you won't soon forget.

You Hurt My Feelings spoke to my creative soul. Director/writer Nicole Holofcener brilliantly and comically explores the themes of love and support when it comes to balancing personal and professional aspirations.

The Holdovers is patient, but not slow. It's funny but doesn't go for the easy gag. It's heartbreaking, but not overly sentimental.

Self Reliance is flat-out entertaining. It has been a while since I have watched a film that creates an ideal balance of not having to think too much and keeping you guessing along the way.

How is it possible that a movie gets better and better each time I watch it when it is so purposely repeatable in its premise?

Though I was entertained by this version of Mean Girls, there was an overall flatness.

The action scenes in Get Smart are way better than they needed to be and the jokes are right down my lane.

I wish Genie would have been taken itself a little more seriously (see what I did there?).

I proclaim this while putting aside my nostalgic feelings for this film, but Planes, Trains and Automobiles is the perfect comedy.

Despite No Hard Feelings being advertised as an extremely raunchy sex comedy, there is an inherent sweetness at its core that made me enjoy this film quite a bit.

I adored The Whole Nine Yards when it originally released in 2000. It's a film that plays into my comedic sensibilities with its witty dialogue, physical pratfalls and back-stabbing plot.

If there is any upside to Identity Thief, it's a perfect example of how hard it is to make a comedy.

he attraction and appeal of Theater Camp is that you totally believe that this film is a true reflection of the filmmakers's experience.

As a father of an almost teenage girl, this movie hit close to home. I have to give screenwriter Alison Peck and director Sammi Cohen a lot of credit because they really bring the middle school experience to life.

My nostalgia for this film probably makes me rate this cringe-inducing comedy higher than it needs to be, but so many of the bits and jokes are etched into my brain.

Barbie redefines what comedies can be. It's all at once a social commentary and champion of feminism, but at the same time, never forgets the key component of being funny.

It's embarrassing how many times I've seen this film. Monty Python and the Holy Grail pretty much defines my teenage sensibilities and completely opened my world to a new type of humor.

Saved! is still as biting and cynical as it was in 2004 with stellar performances from its ensemble cast

This was one of my favorite movies from 2004. It is so weird and strange, and really spoke to the digital film major in me to know that you could create something so memorable with such a low budget.