Wicked is a rare gem among movie musicals. It’s a feast for the eyes, a balm for the soul and a triumph of storytelling.

Sometimes, a holiday movie sneaks up on you, and The Best Christmas Pageant Ever did just that for me. It’s easily one of my favorite Christmas films to come along in years.

Moana 2 is a sequel that doesn’t rock the boat too much but delivers a vibrant and enjoyable adventure that feels like a welcome return to the big screen.

If the creators of Out of My Mind set out to make their audience cry, mission accomplished. This movie left me reaching for the tissues more times than I’d like to admit.

My Old Ass is a coming-of-age indie comedy with an intriguing twist. But does it deliver? Well, sort of.

Known for his love of tech experimentation, Zemeckis sometimes sacrifices story for spectacle. But Here is a rare moment where his tech fascination aligns beautifully with the narrative.

Challengers is a must-watch for anyone who loves sports dramas with a pulse—or just great storytelling. It’s sexy, smart and utterly captivating.

Anna Kendrick makes her directorial debut with Woman of the Hour, diving headfirst into the challenge of both directing and starring in a tense thriller about the dark, twisted true story of a famous 1970s serial killer Rodney Alcala.

What else can be said about When Harry Met Sally...? In the world of rom-coms, it’s simply legendary.

Trap is the cinematic equivalent of a karaoke performance by someone who thinks they’re nailing Whitney Houston. It’s earnest, ambitious and deeply flawed—but it’s hard not to crack a smile at the effort.

The Wild Robot isn’t your average animated film. It’s rare to find a story that skips the predictable laughs and easy crowd-pleasers to focus on something deeper and more meaningful for both kids and adults.

Although quite unbelievable, it's hard not to be swept away by the wit and charm of Troop Zero.

I went into Frozen Empire cautiously optimistic, especially after hearing some mixed buzz, but it turned out way better than I expected.

It’s What’s Inside might just be one of the most entertaining films I’ve seen this year. Sure, it’s not flawless, but it has this undeniable charm that would make it a favorite for younger audiences.

I found myself in the rare position of being stunned—not by awe, but by how much I just didn’t enjoy I Saw the TV Glow.

From beginning to end, Pretty Woman is a joy ride through romance, comedy and some surprising grit.

Will & Harper is a heartfelt journey that isn’t just about the miles traveled but about the deeper spaces explored in friendship, identity and acceptance.

The Menendez Brothers isn’t a black-and-white documentary; it raises tough questions, especially about the complexities of abuse, justice and remorse.

High Fidelity is a fantastic, fun film. It’s a love letter to anyone who adores art and loves talking about art.

Kinds of Kindness is not the most straightforward film. Lanthimos always challenges his audience, and I found myself scratching my head, trying to decipher what he was really trying to say. But that’s part of what makes him such a brilliant director.