I adored The Whole Nine Yards when it originally released in 2000. It's a film that plays into my comedic sensibilities with its witty dialogue, physical pratfalls and back-stabbing plot.

Flora and Son shows us how music does more than bring people together, it has the power to center us as individuals as well.

Martin Scorsese has become extremely patient in his old age. Much will be made about the length of Killers of the Flower Moon, but I think it was necessary to give credence to the weight of this story.

I thought I knew what I was getting myself into going into Beau Is Afraid. I guess I have to give it to Ari Aster, I was completely unprepared for how bizarre this film is.

Scream is a formidable film for me. I'm still a horror novice compared to most film geeks and Scream is the perfect horror film for me.

Somehow Wes Anderson has made something that is completely in his style but uses it in a new way to make Roald Dahl's short stories completely pop.

No matter how you end up feeling about The Exorcist, it's a film that will stay with you forever. It's shocking and horrific, but at the same time thought-provoking and challenging.

Though there are many Hitchcock films that I would put above The Birds, it doesn’t take away from what a fun and unique ride this film is.

Although 13 Going on 30 is not the strongest supernatural "I wish I was..." film out there, it knows that its main objective is to have a good time.

This is not nearly Garry Marshall's best film, nor is it his worst. But you can't help but feel like he let Richard Gere and Roberts do all the heavy lifting.

If there is any upside to Identity Thief, it's a perfect example of how hard it is to make a comedy.

Crazy Rich Asians is a vibrant spectacle that despite having a compelling cultural twist to the rom-com genre, falls prey to predictable beats and tropes.

How to Blow Up a Pipeline is one of the most straightforward films that you'll experience. It's simple in its premise but fascinating in how it unravels its storyline.

he attraction and appeal of Theater Camp is that you totally believe that this film is a true reflection of the filmmakers's experience.

As a father of an almost teenage girl, this movie hit close to home. I have to give screenwriter Alison Peck and director Sammi Cohen a lot of credit because they really bring the middle school experience to life.

Harold and Maude is such a morbid, yet sweet, tale about love, life and death.

It could be easy to get wrapped up in the implausibility of The American President's story, but Aaron Sorkin's script paints a beautiful fairy tale with a behind-the-scenes look of politics as the driving force.

My nostalgia for this film probably makes me rate this cringe-inducing comedy higher than it needs to be, but so many of the bits and jokes are etched into my brain.

No matter how many times you've seen There’s Something About Mary, it makes you both shake your head and crack up at the same time.

It was refreshing to watch a music documentary about a band whose trajectory wasn't defined by a huge breakup or travesty.