Some movies catch you off guard in the best possible way. Sinners is exactly that. One of the best films of 2025.

Jason Reitman’s Saturday Night isn’t just a nostalgia trip; it’s a chaotic, behind-the-scenes sprint through the hours leading up to that very first live show that changed comedy—and late-night TV—forever.

If Harold and Maude wandered into a contemporary synagogue and bumped into a Jewish grief-comedy, you’d land somewhere near Between the Temples.

Flow is easily one of the most unexpected and quietly powerful animated films I’ve seen in a long time. Sure, it’s a little rough around the edges—but that rawness? That’s exactly what makes it so mesmerizing.

Anora is a film that thrives not so much on its plot but on its ability to sidestep clichés. The "sex worker with a heart of gold" trope has been explored before, but it's been a while since a newcomer like Mikey Madison has brought so much life to a role with such an unapologetic and authentic performance.

Wallace & Gromit: Vengeance Most Fowl was cute and funny, but it didn’t hit quite like the earlier installments.

You’re Cordially Invited might actually be the plus-one you didn’t know you needed.

The Substance demands—and seizes—your full attention, gripping you with its grotesque, shocking and undeniably unforgettable imagery.

Emilia Pérez has an undeniably intriguing premise but manages to fumble nearly everything that could have made it great.

Conclave is my kind of movie: performance-driven, steeped in dialogue and cloaked in political and spiritual intrigue.

Nosferatu is a gorgeous, atmospheric and deeply unsettling film that will stick with you long after the credits roll. But much like the count himself, it lingers a little too long in the dark.

If you’re into claustrophobic thrillers with a dash of wit and don’t mind a few over-the-top moments, Carry-On is worth the trip.

It Ends with Us was exactly what I thought it would be—but just a little better. Think: elevated melodrama with a glossy sheen

Sometimes you go into a movie with zero expectations—and walk out… pleasantly surprised? That was the case with Mufasa: The Lion King.

The Family Stone ends up being one of those movies I respect for its intent, but don’t quite understand its lasting holiday glow.

If you like your action movies laced with a little social commentary and a whole lot of Southern grit, Rebel Ridge is absolutely worth your time.

I was surprised by how much Yacht Rock: A DOCKumentary had to say about the genre. Like… was there really enough substance here to warrant a full-length film? Turns out—absolutely.

There’s nothing particularly groundbreaking here, but Nutcrackers leans into its well-worn tropes with enough heart and humor to make for a cozy family movie night.

Some movies leave a mark on you, while others… fade away like sand through a ghostly hourglass. Sadly, Beetlejuice, Beetlejuice falls firmly into the latter category.

Wicked is a rare gem among movie musicals. It’s a feast for the eyes, a balm for the soul and a triumph of storytelling.