This is not nearly Garry Marshall's best film, nor is it his worst. But you can't help but feel like he let Richard Gere and Roberts do all the heavy lifting.

If there is any upside to Identity Thief, it's a perfect example of how hard it is to make a comedy.

Crazy Rich Asians is a vibrant spectacle that despite having a compelling cultural twist to the rom-com genre, falls prey to predictable beats and tropes.

How to Blow Up a Pipeline is one of the most straightforward films that you'll experience. It's simple in its premise but fascinating in how it unravels its storyline.

he attraction and appeal of Theater Camp is that you totally believe that this film is a true reflection of the filmmakers's experience.

As a father of an almost teenage girl, this movie hit close to home. I have to give screenwriter Alison Peck and director Sammi Cohen a lot of credit because they really bring the middle school experience to life.

Harold and Maude is such a morbid, yet sweet, tale about love, life and death.

It could be easy to get wrapped up in the implausibility of The American President's story, but Aaron Sorkin's script paints a beautiful fairy tale with a behind-the-scenes look of politics as the driving force.

My nostalgia for this film probably makes me rate this cringe-inducing comedy higher than it needs to be, but so many of the bits and jokes are etched into my brain.

No matter how many times you've seen There’s Something About Mary, it makes you both shake your head and crack up at the same time.

It was refreshing to watch a music documentary about a band whose trajectory wasn't defined by a huge breakup or travesty.

Jesus Revolution desperately tries to find a conflict to grasp onto, but as an audience we are flailed about until everything just sorta ends with a smile on its face.

Some Kind of Wonderful would be a whole lot better if Eric Stoltz was interesting in the slightest.

You have to take the plausibility of this plot and stick on a shelf, because the whole concept of this film is ridiculous. But as a thirteen year-old who saw this movie when it came out, this movie was dream come to life.

This has to be one of the best, bad movies that I've seen in a long time. Despite having my guard up, I still was quite thrown off by the surprises that this film throws at you.

I remember the era of Johnny Football like it was yesterday. His historic rise and fall is fascinating, especially if you are a fan of college football.

Christopher Nolan once again astounds our senses with Oppenheimer. It seems as if he is one of the rare directors that can make quantum physics interesting on screen.

My Big Fat Greek Wedding possesses the charm and warm feelings that are invoked with such things as family, weddings and culture. Yet, watching it now, you can't help but wonder what all the fuss was about.

Sometimes simplicity is key when making an effective romantic comedy. Rye Lane is straightforward in its intentions that we often find love at the lowest part of our lives.

Netflix's original films tend to verge into Hallmark movie territory and Happiness for Beginners is a shining example of that. It has recognizable, good talent, with a solid premise, yet takes the easy road in simplifying the feelings it wants to invoke.